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Enter The Void

A podcast about films that are just completely bonkers.
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Now displaying: April, 2017
Apr 26, 2017

From the annals of low-budget mind-trip filmmaking, today the show examines James Ward Byrkit's 2013 sci-fi drama COHERENCE. Starring a cast of unknowns, shot in a pseudo-documentary style on a very short schedule, the film is an ingenious example of economical, seat-of-your-pants filmmaking. But it's also one that divides your hosts. In this episode, Bill inexplicably compares it to the Bourne movies; Renan inexplicably compares it to The Wire; the various fan-offered timelines are explored; the influence of Amazon and Netflix on independent film and the definition of "duopsony" are discussed; the logical implications of certain storylines are debated; and and two actors' struggles with alcohol and Bill Clinton are gossiped about.

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Apr 19, 2017

Clearly still recording together in NYC—though they never actually say so—Bill and Renan talk EL TOPO (1970), the legendary, head-spinning "acid Western" by the irascible Alejandro Jodorowsky. The film is remarkable for many reasons: its status as the undisputed first "midnight movie", its embrace by heroes of the 70s counterculture, for being locked away for decades in a contractual dispute, and for the very very questionable (potentially criminal) circumstances regarding its production. Discussed in this episode: Jodorowsky as proto-Tarantino and anti-Kubrick (but he's still a fan of the Master!); Jodorowsky, Frank Zappa, Yayoi Kusama, and why artists aren't like you and me; why Jodorowsky called John Lennon's manager "a gangster"; all the things in this movie that you can't do anymore, should never have happened in the first place, might not have happened at all, and which Jodorowsky interview should we believe?

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Apr 12, 2017

Renan and Bill are finally back in the same room this week to discuss Lars Von Trier's 2011 science-fiction end-of-the-world-melodrama MELANCHOLIA. Their wide-ranging conversation touches on the subject of depression and the director's struggle with it; comparisons to The Tree of Life and Last Year at Marienbad; oh, and of course Another Earth, the other movie from 2011 about a mysterious planet in Earth's orbit; Bill's rogue planet Wikipedia rabbit hole; here again is Pieter Bruegel's The Hunters in the Snow; Stack Exchange, Wallace-l, fake news and internet theories; von Trier's crazy Cannes interview and what we think of his other work; keeping your Skarsgårds and Sarsgaards straight; plus, Bill and Renan share their past—and future experiences—of celestial flybys.

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Apr 5, 2017

ANOTHER EARTH, written and directed by Mike Cahill, written by and starring Brit Marling, and technically top-line starring William Mapother, is a 2011 sci-fi drama about bad decisions, tragic loss, difficult choices, and terrible regret. Oh, and also the appearance in the sky of, well, another Earth. In this episode, Bill and Renan talk about the limitations and innovations of low budget sci-fi, how much one can really enjoy movies about sad people, Hollywood's tendency to cast younger women and older men as romantic leads, what the ending is supposed to mean, and your hosts' thoughts and feelings about Marling's hit Netflix series The OA.

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