Kathryn Bigelow's NEAR DARK is an inspired genre-bending horror-western featuring vampires, cowboys, and a totally whacked out Bill Paxton. While not a perfect film, it's also unlike anything else, and makes for a fun excuse to revisit other vampire flicks of the 80s and 90s, including The Lost Boys and Interview with the Vampire. Also discussed in this episode: mindful that this is Enter The Void's first female-directed film, why does it seem like so few women make "mindfuck movies"?
NEAR DARK links
Enter The Void links
Our new episode focuses on David Cronenberg's VIDEODROME, and for the first time on ETV we are joined by a guest host: Mark Netter, director of indie sci-fi thriller Nightmare Code. Thought-provoking and surprisingly timely given its 1983 release date, VIDEODROME provides the starting point for a wide-ranging discussion about the power of TV in the 80s vs. the Internet today vs. radio in the distant past—with a small digression on how we listen to podcasts; society's relationship to shock content from Faces of Death to ISIS beheading videos; and our changing perception of the value of any kind of content in the context of 1980s scarcity and 2010s ubiquity.
Nightmare Code links
Enter The Void links
A 1970s future vision undone by its own airless weight, Nicolas Roeg's THE MAN WHO FELL TO EARTH is also mesmerizing when it's just David Bowie in the role he was born to play, himself but a real deal alien. Promptly forgotten after Star Wars came out the next year, TMWFTE merits another look, but also—unlike last week's Brazil—actually would benefit from losing about 30 minutes, and by the way, how about a Bowie soundtrack? If anyone thinks they can help make this happen, really email us at email@example.com.
Gloriously disorienting and hugely influential, Terry Gilliam's BRAZIL almost didn't happen the way we know it today. In the second season's second episode, Renan and Bill excavate Gilliam's endless battle with Sid Sheinberg and Universal Studios; debate films and directors inspired by BRAZIL (Tim Burton's Batman, how did we not see it until now!); altercate over whether Rian Johnson's directorial work counts as a descendant (but Mike Judge's Idiocracy totally does); and deliberate on where it stands compared to other adaptations and quasi-adaptations of George Orwell's 1984.
We're finally back with season two of Enter the Void, a movie podcast about strange, crazy, mind-altering films! We start with the canonical midnight movie, the ur-text for David Lynch's unusual filmography: his first feature, ERASERHEAD. Covered in this episode: the film's cultural status then and now; its influence on other filmmakers—including Kubrick!; what it says about Lynch and his later career; the meticulous art direction and set construction; the grotesque "baby" and its possibly disturbing origins; and a little homage from the Kids in the Hall.